About

Fletcher Scully is a queer writer, performer and producer of Native American descent from southern Sydney. He holds a Bachelor of Performing Arts from the Western Australian Academy of Performing Arts (WAAPA) and a Certificate of Speech & Performance from the Australian Music Examination Board (AMEB). 

He is currently developing multiple works including his upcoming series, GOOD BOY (2026), his plays GO, SON! (Merrigong/South Coast Writers Centre, 2026) and BROTHER BARELY (ATYP Fresh Ink +, 2026) and his debut novel, KING SINGLE (2027). 

His previous works include STOP THE HEART (Sydney Fringe/Qtopia, 2025 and FRINGE WORLD/State Theatre Centre of WA, 2026), which earned him a SFF Best Emerging Artist nomination and won the FRINGE WORLD Tour Ready Award, Cowboys & Indians (WAAPA/Blue Room, 2024) and Saturn Fairy in The Monologue Collective (KXT/Shopfront, 2022), which was nominated for Best Production for Young People at the Sydney Theatre Awards and is published with Playlab.

As dramaturg, he has worked on Your Blood Isn’t Better Than Mine (Blue Room, 2024) and Generator: Tomorrow (WAAPA, 2023), for which he was also Assistant Stage Manager. More recently, he was Stage Manager for Intersection: Orbit (ATYP, 2026) and Waiting for Chloe (Rowan Mawa/Sydney Fringe, 2026) and ASM for SNAKEFACE (25A/Fruit Box, 2025) and 3 Billion Seconds (KXT Bakehouse/Blinking Light, 2026).

Fletcher is also an alumnus of the Australian Theatre for Young People’s (ATYP) Fresh Ink + (2026) and National Studio (2025), SCWC x Merrigong Theatre Co Playwright’s Program (2026), PSpace Youth Ambassador Program (2026), Sydney Theatre Company’s Young Wharfies (2020) and Work Experience (2019), and NIDA’s Young Actors Studio (2020).

Fletcher’s art is auto-fictitious and intersectional, unpacking his experiences as a young diasporic queer man.